“Dominated by a feeling of estrangement and suspension, Maglionico's painting represents in figurative terms – that is, without ever resorting to the expedient of abstract synthesis – a luminal dimension where the inner reality of the emotional states intersects the exterior of the concrete forms, a kind of middle ground that suggests the physical theories about parallel worlds and David Deutsch's multiverse.”
(Ivan Quaroni, Everything At Once, Antonio Colombo Arte Contemporanea, Milan, 2017)